The castings in the group (internal)

The budget is too tight to pay all, and should do a test ... ... casting, ... whatever you want to call.

It's like selecctividad, who take note of the highest court, is where you decide whether you go or not.

We lose a whole essay, one or two hours.

It should be without a mirror, of course, and with the same music that has been tested (although sometimes can not).

There are many types of casting to evaluate choreographic skills of each dancer, even I did castings, which included the preparation of clothing and a little makeup.

Some teachers may not agree with me on this, but I believe that a dancer must be developed even before the stage, because if you know very well choreographed, but it removes face makeup out a minute before, and knows not cope, gives very bad impression on stage, even very good dancer (if, for example, makes a zombie, but it does very well, if you have a zombie face, the public will like even less, than another dancer who does worse but is perfectly well made up, ... I think?

The internal castings are required, you choose who you decide best choreography, when you're not looking (in case you are the principal), because also, in my case, I was giving up for the show.

You'll get to meet all kinds of people you do not know how to lose, or in this case, do not know to stay, because they believed they were adequately prepared, and because the illusion of traveling to another city to act, and believed that they had better, thus, it is double whammy.

You have to be legal and catch the people who really do well, whether you like them, or have attended all the tests or not, ...

Here, I had several dilemmas several times, and that is, what happens when a person does well in the domestic casting, but has missed a lot, and another person who has not missed anything, has done more, and gets worse the choreography ... you do?

What you need to do is take the person to do better, even if some unfair (as I'm told) because that person who does it better, thanks to him (along with others) can be well stage, and to repeat for the other person, continue to prepare, and have another chance ... if we do the reverse, there is only once, and no more, probably. ...

...